3OSTM Frontman Looks at ‘War’ in Many Ways


30 Seconds to Mars are on a well-deserved victory lap following the release of their third album, ‘This Is War,’ on Dec. 8 via Virgin/EMI. The alt-rockers’ follow-up to 2005’s ‘A Beautiful Lie’ scored a debut at 19 on the Billboard 200, and the band is ready to spend 2010 touring behind the more progressive album. Fans also got into the act on the album, with in-person and digital ’summits’ allowing fans across the globe to contribute claps, stomps and vocals to ‘War.’ Frontman Jared Leto recently chatted with Noisecreep about the direction of the album and keeping the fans the number one priority.

What does a title as immediate as ‘This Is War’ reflect about the album?
It was a reflection of the recording process, of our personal lives, and of the state of the world while we made this record. It was a very intense time globally, but also a really fertile time to be making art.

You’ve described ‘War’ as a loose concept album. What kind of message were you trying to make with the songwriting?
Well, that changes from song to song. There are songs like ‘Kings & Queens’ that have to do with the potentials and pitfalls of the American dream, and then songs like ‘This Is War,’ which is one of the most politically-charged songs I’ve ever written — but also has to do with self-belief and perseverance. It was just a journey to get to the core of who we were as artists, to rediscover and reinvent. The great thing about making music is that you always have the opportunity to do that.

How did you come up with the whole summit idea?
I was looking for ways to add an interactive element to this album, and I thought that it would be really inspiring to invite our audience — the people out there that have joined us in this crazy adventure — to be a part of this record. Almost all of the contributions made it [onto the album]. When we did the first Summit in Los Angeles, I remember when we recorded the very first sound, we knew that we had something very special.

Did the final version of the album turn out the way you initially envisioned?
It’s easy as a writer to focus on areas that you didn’t succeed as much as you had hoped, but I think we did accomplish what we set out to, and that was to walk down a different path and to explore different sides of ourselves.

How did you guys celebrate the release of the album in December?
We did a warm-up tour in Europe, and in America we played some radio festivals, we did ‘[The Tonight Show with] Conan O’Brien’ and a couple of acoustic performances. We really celebrated the release with some good old-fashioned hard work, and that was exactly how we wanted to spend the time. It’s been four years since we put a record out, so we didn’t know if anyone was going to remember who we were. We certainly didn’t take it for granted, and we’re just happy that people were out there listening to the record and responding to it so passionately.

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Jared interviewed by Tim Virgin for Q101

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Jared Leaving Calvin Klein Collection [Photos]

Jared Leaving Calvin Klein Collection & LA Nomadic Division Event – 28 Jan 2010

to see the FULL gallery go to HERE (Jared Leto Online)

Big thanks to: Jared Leto Online


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JL @ Calvin Klein Collection [Photos]

Jared leto @ Calvin Klein Collection & LA Nomadic Division Event – 28 Jan 2010

to see the FULL gallery go to HERE (Jared Leto Online)

Big thanks to: Jared Leto Online









30 Seconds to Videogames

Jared Leto wants more of his music in your games.

January 29, 2010
- Jared Leto doesn't just like videogames; he wants want to help make them. The third album from 30 Seconds to Mars, This is War, was released in December, but before that the album's title track was featured prominently in Dragon Age: Origins. And for Leto, those ole videogame machines represent much more than just a way to pass the time.

"I think it's an exciting place to collaborate, an exciting place to experiment," he said. "I'm a big supporter of new technologies and new places to share music... I think the [Electronic Arts] Dragon Age is a great example of delivering a song simultaneously with an image that helped to build upon each other. I think there was a good marriage there."

But not everyone in the music industry has that mindset. "I've heard some other artists talk about how ridiculous the notion is that [their] songs would be heard in a video game," he said before reminding us that is not his view. "I think for people to assume it's just this wasteland of commerciality or something is ridiculous.

"I think there are incredible opportunities," he continued. "It's an exciting place to look for creative opportunities. When I see video games, I'm always blown away by how they're pushing technology, the sense of community, gamers themselves, their identity, and how it's become a major part of people's lives."

While the members of the band, including Leto, may like to pick up a controller in their downtime, he was hesitant to call them "gamers."


"All of us in the band dabble. You have to be careful if you identify yourself as a gamer, before someone comes in and shows you what a gamer actually is," he said. "For me, I'm more on the tech side of things. When I see someone playing a game, I'm less about, 'Ooh, I wanna play that.' I'm more about, 'How did they do that? How did they write that program?'"

For Leto, his ambition is not simply limited to having 30 Seconds to Mars songs show up in a game every once in a while.

"We're always looking for new opportunities to do something special, and I'd love to actually score a videogame at some point," he said. "I'm looking forward to finding new ways to experiment in that space."

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30 More Seconds (more or less) with 30 Seconds To Mars (altpress.com)


JARED LETO is an interesting guy. While it's difficult to get the frontman of 30 SECONDS TO MARS to open up, once he begins, he offers up a wealth of information--so much, in fact, that we couldn't fit half of it in our cover story for AP 260. Here's just some of what Leto let us in on.

INTERVIEW: Tim Karan

What was the first instrument you ever bought?
"It was a Roland Juno-106 which is now a vintage synthesizer. It's hilarious that I could own something that was brand new in the store when I bought it and now it's vintage. I was 12 years old. I never played it very well and I never figured it out. As a kid, that was complex machinery."



You played in a "Depeche Mode-esque" band when you were younger, and your producer, Flood, has produced for Depeche Mode. Are you a DM fan?
"Huge fan. We actually used the same exact sequencer that was used on [Depeche Mode's 1990 album] Violator. I believe it was also used on [U2's 1991 album] Achtung Baby. That sequencer is used on "Hurricane" and "Night Of The Hunter." It's the same, exact machine. There's something about those [synth] sounds that are so nostalgic to me."

How did you get the word out about :30TM in the early days?
"We were really children of the Napster age. The great thing about that was that people could find our music and there was this sense of anonymity to it. It was just a file that said, '30 Seconds To Mars' and people were trading that. We were so grateful to have been born into that world--the file-sharing world. It was a blessing. The internet was much different back then. It was hard to get a picture [online], more or less a video. There was a certain level of anonymity there and it was just about the music."

How does Tomo [Milicevic, guitar] fit in compared to past members?
"My brother [Shannon Leto, drums] and I have always been the core of this project. It's just how it started--with us. We've had other musicians play with us before but no one has been a part of it in the way that Tomo has. No one has believed in it the way he has--wholeheartedly without reservation. He's in it with the purest of intentions. It's wonderful to have found that. Tomo will often elevate an entire song just with a brush stroke. He's gifted in that way."

How do you feel about your brother as a member of the band?
"Shannon is obviously the most talented of us all. He's got the purest form of expression. It's very unique--his intention from the very beginning comes from a place of complete abandon. He makes 30 Seconds To Mars unique. His choices are so surprising."

You wrote some of This Is War around the world, didn't you?
I wrote "Hurricane" in Berlin during the winter of 2007. I was in a flat on the top floor of this building in an area called Prince Lauenburg in former East Berlin. It's a very interesting city at that time of year. In the winter, it gets dark at about 3 p.m., so it can be really bleak. But there's a life and an energy in that city that's really inspiring. A lot of artists over the years have had really productive experiences there. One or two of the songs [on This Is War] were born in Berlin, "Hurricane" being the one that comes to mind. I demoed a version over there that was a much more up-tempo version, but when I got back to the U.S., I reworked it and revisited it as a much more sparse, atmospheric song."


How do you feel about the way your lawsuit with Virgin was perceived in the public?
"This fight was very real. It wasn't some glib press quote or something. It was very real. It was a $30 million lawsuit, and there was a possibility that we could've lost and owed $30 million to a corporation. Just to clarify, just because we didn't lose, it doesn't mean we won $30 million. We were just being sued for that. We were sued by [Virgin], so we were forced to hire lawyers to protect ourselves. [Virgin] had money for days. We were fighting an industry, really; it wasn't just one record company--it was the status quo."

What do you listen to?
"Really, I just listen to the Cure. As far as newer bands, I like Sigur Rós a lot. I don't listen to a lot of rock music. I haven't in many, many years. I listen to a lot of older music. But I did like the M83's [20008 album Saturdays = Youth] and I like Fever Ray. But when I was making This Is War, I didn't listen to music for two years because I was making music 15 hours a day or more."

What plans do you have for the Summit--the collective of fans who lent their voices to the new album?
"The Summit is people who are participating in this giant, incredible journey--this experiment--with us for no other reason except that they believe. They've found something here that's very special and means something and is true and honest and real. I'm grateful to them for that. I always will be. We're plotting and planning to try and put into place some ideas that I had about how to take it a step further and literally make the Summit an active part of the show. [If you're at one of our shows,] it already is, as you can hear."

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Thanks: ONTD_30STM

Jared @ Park City 2010 Videos

VIDEOS BY enslavedbyfaeries

To see my complete coverage of this concert please go HERE















"Kings and Queens" on Apple's iPad demo

Street Drum Corps Confirmed As Opener For 30 Seconds To Mars Shows

Bobby Alt of punk rock percussion band Street Drum Corps, has confirmed to Ruled By Rock that the band are to open for 30 Seconds To Mars on all upcoming European dates.

The band create their sound solely by playing instruments such as acoustic drum kits, hand drums, kitchenware, garbage cans, buckets, marching band tools and even power tools on stage.

Street Drums Corps have also enjoyed the company of members of Atreyu, Good Charlotte, Bad Religion, The Used and 30 Seconds To Mars in the past.

Check out the footage below of the band playing live with special guests Adrian Young ( No Doubt), Brooks Wackerman (Bad Religion), Shannon Leto (30 Seconds to Mars), Byron McMacking (Pennywise) and John Sawicki at the Guitar Center’ Drum-Off Grand Finals.



Shannon leto pic


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Jared in the studio [PHOTO]

THANKS: hxcfairy

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Jared and Shannon @ The Runaways Party (24/01/2010)

Jared and Shannon @ The Runaways Party, Park City, Utah (24/01/2010)

Credits: Jaredsource.net & jared-leto.net

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Live videos @ US Snowboarding Grand Prix

CREDITS: JAREDSOURCE.NET





30STM @ US Snowboarding Grand Prix

US Snowboarding Grand Prix, Park City, Utah (23/01/2010)

CREDITS: JAREDSOURCE.NET

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[Video] Jared leaving ‘Hope for Haiti Now’ Telethon

Jared @ Hope for Haiti Now

Credits: Jared-leto.net

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BIG CHEESE & ROTTW MAG SCANS

BIG CHEESE MAGAZINE

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ROTTW MAGAZINE

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JARED LETO @ E! NEWS

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Leto Reflects on Life in Haiti

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Leto reflexiona sobre vida en Haiti

Alternative Press mag

Alternative Press magazine (March / Marzo)

BIG THANKS: TeamJAREDLeto


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Elle Girl – Russia

Elle Girl – Russia (Enero/January)

CREDITS: WEBTEAM30STM





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